Illia Ovcharenko

Sunday, March 14, 2027 | 3:00pm

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A pianist in a black button-down shirt performs on a grand piano on a wooden stage, eyes closed in concentration.
A woman is holding a cello while two men are holding violins.
A woman is holding a cello while two men are holding violins.

Fantasy

Acclaimed Ukrainian pianist and Honens laureate Illia Ovcharenko returns to the Cecilian Chamber Series to unveil a Fantasy-inspired program showcasing Liszt's epic Dante Sonata.


In the words of Illia himself: I have constructed this program to focus on the musical concept of Fantasy. It is fascinating to hear the variety in their approaches from composers of different eras. Beethoven used the form to challenge Classical rules, while Schumann poured his most intense, personal emotions into his work. Kosenko presents a voice of profound lyrical poetry from my cultural home, Ukraine. Finally, the program culminates in Liszt’s dramatic Dante Sonata. This recital is all about that shared, total freedom of imagination.


In music, the term “fantasy” originated in the 16th century and from the outset was rooted in improvisation. The spontaneous spirit of the Fantasy has remained across the centuries - it is music ‘for the moment’, brought alive by Illia Ovcharenko’s personal musical voice.

PROGRAM


Ludwig van Beethoven

Piano Sonata no. 13, in E flat major,
Op. 27 No. 1 'Quasi una Fantasia'



Robert Schumann

Fantaisie, Op. 17



– Intermission –



Victor Kosenko

Nocturne - Fantaisie in C-sharp minor, Op. 4



Victor Kosenko

 Poème - Fantaisies, Op. 11 No. 3, 'Tragic'



Franz Liszt

Après une lecture du Dante: Fantasia quasi Sonata



Program subject to change

  • Illia Ovcharenko Biography

    Winner of the 2022 Honens International Piano Competition, 25-year-old Ukrainian pianist Illia Ovcharenko has taken the piano world by storm. Furthermore, he has been awarded prizes in more than 20 other competitions worldwide; recent successes include first prize at the Kissinger KlavierOlymp in 2024, first prize at the New York International Competition, and second prize at the Hilton Head International Competition in 2022. He was a Claseek Ambassador for the 2024-25 season.


    Embodying the values of The Honens International Piano Competition, which rewards “The Complete Artist”, Illia Ovcharenko has already been praised for his technical mastery, perseverance against adversity, and a unique intellectual and emotional understanding of musical text. He has appeared as a soloist with orchestras including the Orchestre National d’Île de France, the Orchestra of La Monnaie, the Toronto Symphony, Calgary Philharmonic, and the Jerusalem and Haifa Symphony Orchestras, in recital at venues and Festivals including Carnegie Hall, the Elbphilharmonie Hamburg, Sendesaal in Hannover, Robert Schumann-Saal in Düsseldorf, Salle Bourgie and Domaine Forget, as well as Bravo! Vail, the Gstaad Menuhin Festival, and the Dresden International Festival.


    In 2024-25, Illia made his debuts with the Deutsches Symphonie-Orchester Berlin, Israel Philharmonic, I Pommeriggi Musicali, Edmonton Symphony, and San Antonio Philharmonic, while recitals included the Konzerthaus Berlin, the ‘Folle Journee’ Warsaw, the Kissinger Olymp, Dubai Opera, Salle Cortot, Music Toronto, and Shenandoah University. 2025-26 sees his return to the Orchestre national d'Île-de-France, and debuts with the Lucerne Symphony Orchestra, Polish National Radio Symphony Katowice, Duisburger Philharmoniker, Symphony Nova Scotia, as well as appearances with the Kyiv Symphony Orchestra and a tour with the Youth Symphony Orchestra of Ukraine. The season also includes Illia’s Wigmore Hall recital debut.


    Illia’s debut recording ‘Litany’ was released in December 2025 to great critical acclaim, including a 5-diapason review from Diapason Magazine. Two further releases are scheduled for 2025-26: a second recital album ‘Whispers and Thunder’ on the Steinway label (September 2025) and a concerto album on Pentatone featuring the left-hand concertos by Bortkiewicz, Ravel, and Prokofiev, with the MDR Symphonieorchester and Oksana Lyniv (April 2026).


    Born in Ukraine, in a non-musical family to a computer engineer mother and an athlete and coach father, Illia Ovcharenko discovered the unattended upright piano sitting in a corner of his house at a tender age. At the age of six, he was taken to a performance of Tchaikovsky’s first piano concerto; after the concert, Illia told his mother he wanted to be a pianist when he grew up, and began his formal musical tuition. Success rapidly followed, and he made his concert debut at the National Philharmonic Hall of Ukraine at the age of 12 before moving to Kyiv to attend the Kyiv Lysenko State Music Lyceum for gifted children. He then studied in Israel with Arie Vardi at the Buchmann-Mehta School of Music in Tel Aviv and is currently pursuing a Master's degree at the Hochschule für Musik, Theater und Medien Hannover.

Ovcharenko plays with iron hands cloaked in mink gloves – a debut of sweep, dynamism, and unexpected discoveries.


– Gramophone